The story needs refinement to create a emotional punch, but Fung has a sharp charisma that commands the stage.

An absolute gem, simultaneously stimulating and entertaining.

A wickedly entertaining, tightly choreographed 60 minutes of absurdity with two of the Fringe’s finest at the helm.

Come for John Waters less known musical adaptation, stay for the toe-tapping tunes, big vocals and big laughs

Revolutionists struggled to find their voice and instigate change.

Never judge a book by its cover, or a person by a video clip.

A wave of emotions through the lens of grief and anxiety, in a place that you least expect.

A sensitive and delicately expressed story pulled in multiple directions and questionable portrayal of the scientific/medical profession.

Play On! transforms Shakespeare’s classic romantic comedy Twelfth Night into a toe-tapping, finger-snapping jazz musical.

An immersive experience that synchronises the audience’s emotions of the incredible cast.

A sit-com-esque comedy with heaps of promise and boasts a talented cast that maintains a healthy pace and momentum.

Highlights the intimacy of two men, struggles of forbidden love and challenges to balance love and duty.

A celebration of queer love and the power of seeing beyond the surface, unapologetically embracing its identity—flaws and all.

The audience is the real winner of this absurd court case!

Grips attention and shoots high camp extravaganza.

The festive charm is sadly diminished by a clunky story structure that left us ultimately feeling unmoved.

Racy, risqué and borderline obscene. This is is a British panto on queer steroids

Upbeat, positive, funny and shows a musical can come in any shape or form.

Despite a strong premise, it is hindered by an underdeveloped narrative and characters that are difficult to sympathise or empathise with.

An admirable attempt at blending European Symphonies with Beijing Opera, but lacks key characteristics of the latter.