An absolute gem, simultaneously stimulating and entertaining.

A wickedly entertaining, tightly choreographed 60 minutes of absurdity with two of the Fringe’s finest at the helm.

Come for John Waters less known musical adaptation, stay for the toe-tapping tunes, big vocals and big laughs

Revolutionists struggled to find their voice and instigate change.

Play On! transforms Shakespeare’s classic romantic comedy Twelfth Night into a toe-tapping, finger-snapping jazz musical.

Highlights the intimacy of two men, struggles of forbidden love and challenges to balance love and duty.

A celebration of queer love and the power of seeing beyond the surface, unapologetically embracing its identity—flaws and all.

The audience is the real winner of this absurd court case!

Grips attention and shoots high camp extravaganza.

The festive charm is sadly diminished by a clunky story structure that left us ultimately feeling unmoved.

Racy, risqué and borderline obscene. This is is a British panto on queer steroids

Upbeat, positive, funny and shows a musical can come in any shape or form.

Despite a strong premise, it is hindered by an underdeveloped narrative and characters that are difficult to sympathise or empathise with.

An admirable attempt at blending European Symphonies with Beijing Opera, but lacks key characteristics of the latter.

A slightly disorienting but nonetheless an enjoyable and innovative experience through time.

A loveable production with the potential to become utterly swoon-worthy.

Authentic exploration into the frustration and aspirations of people in the social system.

A remarkable piece of theatre full of side-splitting Monty Python-esque farcical moments with an important message at its core.

Interrogates the purpose of life and the ultimate question of what makes us human.

Supported by a clever and sparklingly polished concept, this is the golden ticket for anyone looking for a delightfully camp night.